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Marine who lashed out after finding out that Jennifer was trans. Nevertheless, this 2018 documentary is not exactly a “beautiful” story - it tracks the aftermath of the tragic 2014 murder of its titular character, who was violently strangled and drowned in a motel toilet by a 19-year-old U.S. In Tagalog, the word “ganda” means “beautiful,” and after watching the heartbreaking Call Her Ganda, you’ll be hard-pressed to refute the idea that the late Jennifer Laude wasn’t worthy of that as her nickname.
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Probing slightly difficult material (Mo has to balance his new relationship with his faith) without ever veering too far off the expected, lighthearted track, Breaking Fast is an adorable addition to the gay rom-com canon, featuring two brilliant lead performances that buzz with chemistry.
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Starring the painfully attractive (and openly gay) Haaz Sleiman (soon-to-be-seen in Chloé Zhao’s Eternals) as Mo, a gay Muslim doctor who is also a virgin, and The O.C.’s Michael Cassidy as Kal, an aspiring actor, the film does provide a spin on the classic rom-com by centering Islamic culture, as the pair get to know each other during Ramadan over Mo’s daily iftars. But it also excels in these criteria, telling a story that doesn’t exactly surprise but definitely still delights. Directed by first-time feature maker Mike Mosallam, Breaking Fast is a rom-com in the classic, early-aughts sense, one that doesn’t try to be anything other than what it is: a beat-by-beat story about two people meeting, falling for each other, experiencing a few complications, and eventually coming back together. Below, NYLON recommends ten underrated LGBTQ+ films, including a charming rom-com, a hilarious satirical comedy, an incisive documentary, a heartbreaking drama, and an uplifting musical.Īfter screening Breaking Fast at last year’s OutFest, I immediately pointed out how “corny” it was - though, even then, I didn’t mean it in a bad way. Which is why this Pride Month is the perfect time to watch some queer content that hasn’t already captured widespread attention. But just because they didn’t get a splashy red carpet premiere or the validation of the admittedly narrow-minded Academy doesn’t mean they aren’t worthy of your time. And even though The Prom was objectively a mess, with Ryan Murphy and Netflix at the helm, it easily became one of the most talked-about films of the year.īut what about the smaller films? The independent ones with microscopic budgets that never receive mainstream acclaim - and sometimes, never even made it to a theater? Films like these pop up constantly in the case of LGBTQ+ fare, the probability that a film won’t ever reach the upper echelons of Hollywood approval jumps up significantly. Love, Simon broke box office records several years ago. And ask any cinephile what their choice for “biggest recent awards snub” is, and you’ll probably get a few answers about Céline Sciamma’s spellbinding Portrait of a Lady on Fire. Peddle back over a decade and you’ll stumble upon Brokeback Mountain, which racked up three gold statues (and angered many when it lost Best Picture to the very controversial Crash).
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The very next year, so did Call Me By Your Name. Over 50 years into the tradition of “Pride” as we know it, it’s clear that Hollywood has significantly evolved in its portrayal of members of the LGBTQ+ community.